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His work reveals stories often excluded in history in and out of Thailand: voices of the poor and the ill, marginalized beings, and those silenced and censored for personal and political reasons.\u003cbr\u003e\u003cbr\u003eEdited by Weerasethakul himself, this publication offers a collection of perspectives on the multi-faceted practice of one of the leading artists and filmmakers of his generation. Encompassing the full complexity of the artist’s practice across media, \u003cem\u003eThe Serenity of Madness\u003c\/em\u003e compiles a wide range of source materials and texts that have informed his work over the last two decades, including personal photographs, email conversations among friends, excerpts of websites and scientific studies, and poetry. 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Minh-ha.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhile contextualizing the wider scope of her filmmaking practice, this publication centers on Trinh’s feature film Forgetting Vietnam (2015), which takes up one of the myths surrounding the creation of Vietnam: a fight between two dragons whose intertwined bodies fell into the South China Sea and formed Vietnam’s curving, S-shaped coastline. Commemorating the fortieth anniversary of the end of the Vietnam War, the film draws inspiration from ancient legend to stage an ongoing, contemporary conversation between land and water, creating a third space for historical and cultural re-memory.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe book features the film’s lyrical script, along with rhythmically distributed cinematic stills. Expanding on this central focus is a series of conversations between Trinh and film and sound scholars Patricia Alvarez Astacio and Benjamín Schultz-Figueroa; Erika Balsom; Lucie Kim-Chi Mercier; Domitilla Olivieri; Stefan Östersjö; Irit Rogoff; and Xiaolu Guo. These conversations date from 2016 to 2022 and are accompanied by an index of key concepts in the artist’s work.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBorn in Vietnam, Trinh T. Minh-ha is a filmmaker, writer, and music composer. She is the author of twelve books, including, most recently, Lovecidal: Walking with the Disappeared (2016) and D-Passage: The Digital Way (2013), as well as the foundational Woman, Native, Other: Writing Postcoloniality and Feminism (1989). Her films and large-scale multimedia installations have been presented at Documenta 11, Kassel; La Triennale at the Palais de Tokyo, Paris; and the Whitney Biennial, New York; as well as the Yerba Buena Center for the Arts, San Francisco; the Kyoto Biennale; the Musée du Quai Branly, Paris; the Okinawa Prefectural Museum; the Guangzhou Triennial; and Manifesta 13, Marseille. Her films have been exhibited as part of numerous international film festivals and honored in over sixty-five retrospectives worldwide. She is the recipient of numerous awards and grants, and is a Distinguished Professor of the Graduate School in the departments of Gender \u0026amp; Women’s Studies and Rhetoric at the University of California, Berkeley.\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e—\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCOLOPHON\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWritten by Trinh T. 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These threads forge a tapestry that recognises colonisation not as history but as a continuous and present violence, one that is deceptively ordinary. \u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eThe book concludes with an essay by novelist and critic Fiona Kelly McGregor.\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003ePublished by Borderline Books, the self-publishing imprint of Alana Hunt. \u003c\/p\u003e","brand":"Alana Hunt","offers":[{"title":"Default Title","offer_id":45240302796957,"sku":"","price":60.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/8313\/4365\/files\/SURVEILLINGACRIMESCENE_1800x1800_90f7b552-dd3a-43ec-b3bf-a675dff686de.webp?v=1757404276"},{"product_id":"apichatpong-weerasethakul-a-conversation-with-the-sun-english-korean-edition","title":"Apichatpong Weerasethakul: A Conversation with the Sun (English\/Korean Edition)","description":"","brand":"Mediabus","offers":[{"title":"Default Title","offer_id":45281527595165,"sku":"","price":38.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/8313\/4365\/files\/apitchapong_cover.png?v=1716367716"},{"product_id":"cao-fei-supernova","title":"Cao Fei. 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In addition to two of the artist’s most famous films, Haze and Fog and La Town, the volume presents Cao Fei’s latest works, including: the science fiction film Nova, the VR work The Eternal Wave, and Isle of Instability, created by the artist in her Singapore home during the isolation due to the pandemic.\u003c\/p\u003e\n\u003cp\u003eAccompanied by a rich iconographic apparatus of images and descriptions of the exhibited works, including RMB City, Hongxia, HX Publication, the book explores the practice of Cao Fei through the critical essays of the curators, Hou Hanru and Monia Trombetta, Olivia Khoo, and an interview with the artist by Cristiana Perrella; it is also accompanied by an insert with an unpublished sci-fi story by the author Wang Honghze. From the transformation of Chinese society to technology, from the obsession for development to the increasingly alienating human conditions, moving between utopia (and dystopia), the book accompanies Cao Fei’s exhibition, highlighting the most pressing questions of modernity and the challenges that define our reality and, above all, our future.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003eCOLOPHON\u003c\/p\u003e\n\u003cp\u003eEdited by Hou Hanru and Olivia Khoo\u003cbr\u003ePublished by Nero\u003c\/p\u003e\n\u003cp\u003eLanguage: Bilingual (English, Italian)\u003cbr\u003eFormat: Softcover (224 Pages) + Supplement (88 pages)\u003cbr\u003eDimensions: 170 x 240 mm\u003cbr\u003eEdition: First\u003cbr\u003eISBN-13: 9788880561521\u003cbr\u003ePublication Date: 2022\u003c\/p\u003e","brand":"NERO Editions","offers":[{"title":"Default Title","offer_id":46157838745757,"sku":null,"price":70.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/8313\/4365\/files\/CFSN.png?v=1732666190"},{"product_id":"marg1n-magazine-issue-1","title":"MARG1N Magazine: Issue 1","description":"","brand":"MARG1N Magazine","offers":[{"title":"Default Title","offer_id":46520578637981,"sku":null,"price":38.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/8313\/4365\/files\/issue1-cover.png?v=1747356557"},{"product_id":"queers-shoot-back","title":"QUEERS SHOOT BACK!: Essays on Radical Queer Cinema","description":"\u003cdiv class=\"catalogue-item-description\"\u003e\n\u003cem\u003eQUEERS SHOOT BACK!: Essays on Radical Queer Cinema\u003c\/em\u003e is an anthology of essays by Indonesian filmmaker and ethnographer, Rizky Rahad.\u003cbr\u003e\u003cbr\u003eExploring the interconnection and tension between aesthetics and substance, Rizky Rahad speculates on the future and potential of queer cinema as a radical means to reach social and political liberation.\u003cbr\u003e\u003cbr\u003eManifesto poster included with each book. \u003cbr\u003e\u003cbr\u003eFormat: 124 pages, 11 x 18 cm, softcover \u003cbr\u003ePublisher: Cahyati Press \u003cbr\u003eLanguage: English\u003c\/div\u003e","brand":"Cahyati Press","offers":[{"title":"Default Title","offer_id":47185313202333,"sku":null,"price":33.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/8313\/4365\/files\/QSB_02_09ce9be9-1cfc-4f87-894b-e47e060f8ad8.png?v=1780713306"},{"product_id":"mirage-theophany","title":"Mirage-Theophany","description":"\u003cp\u003e\u003cem\u003eMirage-Theophany \u003c\/em\u003eis an artist book by Indonesian contemporary artists, Riar Rizaldi and Arda Awigarda.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMirage-Theophany \u003c\/em\u003eexpands on the origins and ideas of Riar Rizaldi’s Mirage film series by introducing a fictional-historical narrative, centred around the work of 16th-century Sumatran Sufi writer Hamzah Fansuri.\u003c\/p\u003e\n\u003cp\u003eFeaturing illustrations by Arda Awigarda, the comic book depicts Fansuri’s discovery of ‘God within a particle’ with a stylistic amalgamation of wafak aesthetics (Islamic amulets), Sufi manuscripts from the Indonesian archipelago, and Kirby-esque comic landscapes. 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Through essays, visual scripts, archives, and more, TRACES unearths the flotsam, jetsam, and derelict that churns throughout or beneath today’s cinematic currents.\u003c\/p\u003e\n\u003cp\u003eTraces are fragmentary by nature. You can never deduce a comprehensive view from a trace. Traces gesture, shock, defy, and aspire toward a greater truth than their whole existence. In some way, a film is also a collection of traces, with the hope of invoking in its viewers a sense of wonder and resonance that makes us pause, perhaps rewatch, and rethink certain rigidities. 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