{"title":"Melbourne Collection","description":"\u003cdiv style=\"text-align: center;\"\u003eA selection of publications by artists and writers in Narrm\/Melbourne.\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003c\/div\u003e","products":[{"product_id":"stone-fruit","title":"Lee Lai: Stone Fruit","description":"\u003cem\u003eStone Fruit \u003c\/em\u003eis a graphic novel by comic artist, Lee Lai.\u003cem\u003e\u003cbr\u003e\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003eBron and Ray are a queer couple who enjoy their role as the fun weirdo aunties to Ray’s niece, six-year-old Nessie. Their playdates are little oases of wildness, joy, and ease in all three of their lives, which ping-pong between familial tensions and deep-seeded personal stumbling blocks. As their emotional intimacy erodes, Ray and Bron isolate from each other and attempt to repair their broken family ties ― Ray with her overworked, resentful single-mother sister and Bron with her religious teenage sister who doesn’t fully grasp the complexities of gender identity. Taking a leap of faith, each opens up and learns they have more in common with their siblings than they ever knew. At turns joyful and heartbreaking, Stone Fruit reveals through intimately naturalistic dialog and blue-hued watercolor how painful it can be to truly become vulnerable to your loved ones ― and how fulfilling it is to be finally understood for who you are. Lee Lai is one of the most exciting new voices to break into the comics medium and she has created one of the truly sophisticated graphic novel debuts in recent memory.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e—\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCOLOPHON\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWritten and Illustrated by Lee Lai\u003cbr data-mce-fragment=\"1\"\u003ePublished by Fantagraphics\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLanguage: English\u003cbr data-mce-fragment=\"1\"\u003eFormat: Hardcover, 236 pages\u003cbr data-mce-fragment=\"1\"\u003eDimensions: 250 x 216x 23 mm\u003cbr data-mce-fragment=\"1\"\u003eEdition: First\u003cbr data-mce-fragment=\"1\"\u003eISBN-13: 9781683964261\u003cbr data-mce-fragment=\"1\"\u003ePublication Date: 2021","brand":"Fantagraphics","offers":[{"title":"Default Title","offer_id":40064396394653,"sku":"SBID0193","price":49.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/8313\/4365\/products\/SFLL.png?v=1622365400"},{"product_id":"collisions-fictions-of-the-future","title":"Collisions: Fictions of the Future","description":"\u003cem\u003eCollisions: Fictions of the Future\u003c\/em\u003e is an experimental, genre-bending, lucid collection of stories from the inaugural LIMINAL Fiction Prize longlist.\u003cbr\u003e\u003cbr\u003eWhat does the future hold? A tense dinner party is held amid an impending climate catastrophe. A father leases his backyard out to a cemetery. Activists plan an attack on ASIO drones in a shock-jock run government. A voyeur finds herself caught in time. Featuring both emerging and established writers of colour, this collection showcases some of the best work that Australian literature has to offer.\u003cbr\u003e\u003cbr\u003eThese stories are sites for collisions: against eurocentric ideals, against narrow concepts of excellence, against stagnant ideas of the world to come. But collisions also manifest in the way our lives come into contact with others, how our pasts shift against the present, and how our imaginations sit against our realities.\u003cbr\u003e\u003cbr\u003eCollisions is necessary reading for the future of fiction, and the future of our shared world.\u003cbr\u003e\u003cbr\u003eWriters include Bryant Aplonio, Kasumi Borczyk, Claire Cao, Claire G. Coleman, Elizabeth Flux, Jason Gray, Eda Günaydin, Naima Ibrahim, CB Mako, Sumudu Samarawickrama, Mykaela Saunders, Bobuq Sayed, Victor Chrisnaa Senthinathan, Misbah Wolf, Hannah Wu and Jessica Zhan Mei Yu.\u003cbr\u003e\u003cbr\u003e—\u003cbr\u003e\u003cbr\u003eCOLOPHON\u003cbr\u003e\u003cbr\u003eEdited by Leah Jing McIntosh, Cher Tan, Adalya Nash Hussein, Hassan Abul\u003cbr\u003ePublished by Pantera Press\u003cbr\u003e\u003cbr\u003eLanguage: English\u003cbr\u003eFormat: Softcover, 256 pages\u003cbr\u003eISBN-13: 9780648795186\u003cbr\u003eFull Title: Collisions: Fictions Of The Future: An Anthology Of Australian Writers Of Colour\u003cbr\u003e","brand":"Pantera Press","offers":[{"title":"Default Title","offer_id":40064469041309,"sku":"SBID0185","price":30.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/8313\/4365\/products\/CFOF.png?v=1622366265"},{"product_id":"echoes","title":"Echoes","description":"\u003cp\u003e\u003cem\u003eEchoes\u003c\/em\u003e is a curious and lyrical collection of personal essays from writer, essayist, critic and poet Shu-Ling Chua.\u003cbr\u003e\u003cbr\u003eReferencing art, literature, pop culture and nostalgia, \u003cem\u003eEchoes\u003c\/em\u003e gathers small joys — from a figure-hugging ‘disco dress’ to learning to sing Koo Mei’s ‘Bu Liao Qing’ 不了情, to the swish of washing machines — and asks: what does one unknowingly inherit?\u003cbr\u003e\u003cbr\u003eWritten by Shu-Ling Chua\u003cbr data-mce-fragment=\"1\"\u003ePublished by Somekind\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e—\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLanguage: English\u003cbr data-mce-fragment=\"1\"\u003eFormat: Softcover, 87 pages\u003cbr data-mce-fragment=\"1\"\u003eISBN-13: 9780645017311\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Somekind","offers":[{"title":"Default Title","offer_id":40064470024349,"sku":"SBID0187","price":22.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/8313\/4365\/products\/ESLC.png?v=1622366183"},{"product_id":"permanent-recession","title":"Permanent Recession: a Handbook on Art, Labour and Circumstance","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePermanent Recession: a Handbook on Art, Labour and Circumstance\u003c\/em\u003e is an enquiry into the capitals and currencies of experimental, radical and artist-run initiatives in Australia.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eExcavating a shared history of independent practice stretching back to the 1980s, this publication situates new research within a rich continuum of debate about the Australian artmaking context.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePart research, part advocacy document, part literature review, part reader, part position paper, Permanent Recession is a living contribution to current thought. As a handbook, it is a compilation of useful information in a compact and handy form. It should be used!\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWriters include Esther Anatolitis, Peter Anderson, Hana Pera Aoake, Dr Marnie Badham, Terri Bird, Andrew Brooks, Andy Butler, Colleen Chen, Clare Cooper, Dr David Corbet, Dr Ben Eltham,Dr Léuli Eshrāghi , Channon Goodwin, Sarah Gory. Tristen Harwood, Dr Mark Jackson, Dr Kate MacNeill, Dr Anne Marsh, Lucie McIntosh, Georgie Meagher, Dr Jacqueline Millner, Bernice Murphy, Spiros Panigirakis, Dr Lisa Radford, Macushla Robinson, Dr Francis Russell, Catherine Ryan, Kate Scardifield, Dr Pip Shea, Talia Smith, Philipa Veitch, Amelia Wallin, Pip Wallis, Amelia Winata, Katie Winten and Tian Zhang.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEdited by Channon Goodwin\u003cbr data-mce-fragment=\"1\"\u003eDesigned by Public Office\u003cbr data-mce-fragment=\"1\"\u003ePublished by Onomatopee\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e—\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLanguage: English\u003cbr data-mce-fragment=\"1\"\u003eFormat: Softcover, 448 pages, 10.8 x 17.6 cm\u003cbr data-mce-fragment=\"1\"\u003eISBN-13: 9789493148079\u003cbr\u003e","brand":"Onomatapee","offers":[{"title":"Default Title","offer_id":40064471007389,"sku":"SBID0188","price":44.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/8313\/4365\/products\/PRSG.png?v=1622366695"},{"product_id":"working-from-home","title":"Working From Home (May ở Nhà)","description":"\u003cp\u003e\u003cem\u003eWorking From Home\u003c\/em\u003e is a graphic novel by Melbourne artists, Emma Do and Kim Lam.\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem data-mce-fragment=\"1\"\u003eWorking From Home \u003c\/em\u003etells the overlooked stories of Vietnamese outworkers in Australia and celebrates their contributions to the fashion industry. The book melds journalism, illustration and oral history to explore personal stories of workers who made a living sewing from lounge rooms and back yards. \u003cbr\u003e\u003cbr\u003eAlongside stories of sacrifice are tales of business savvy and pride in craftsmanship. For the Vietnamese migrants who arrived with no English skills and few job prospects, holding down a backyard sewing operation while raising a family was no mean feat. Working From Home also explains the origins of outwork, along with the economic conditions that create a shadow workforce.\u003cbr\u003e\u003cbr\u003eWorking From Home was made in Narrm (Melbourne) by Emma Do and Kim Lam.\u003cbr\u003e\u003cbr\u003eWritten by Emma Do\u003cbr data-mce-fragment=\"1\"\u003eDesign and Illustrated by Kim Lam\u003cbr\u003e\u003cbr\u003e—\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTitle: Working From Home (May ở Nhà)\u003cbr data-mce-fragment=\"1\"\u003eAuthors: Emma Do, Kim Lam\u003cbr data-mce-fragment=\"1\"\u003eISBN: 9780646837437\u003cbr data-mce-fragment=\"1\"\u003eFormat: 62 pages, full colour, booklet printed on Envirocare paper, Risograph dust jacket\u003cbr data-mce-fragment=\"1\"\u003eDimensions: 148 x 210mm, 130g\u003cbr data-mce-fragment=\"1\"\u003eLanguage: English\u003cbr\u003e\u003c\/p\u003e","brand":"Emma Do and Kim Lam","offers":[{"title":"Default Title","offer_id":40064502759581,"sku":"SBID0186","price":20.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/8313\/4365\/products\/WFH.png?v=1622439598"},{"product_id":"goori-reader-no-1","title":"Goori Reader No. 1","description":"\u003cem\u003eGoori Reader No. 1: History, Memory and the Role of Cultural Organisations in Entrenching Colonisation in Australia and Beyond\u003c\/em\u003e is a reader written by \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Gary_Foley\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Gary_Foley\" target=\"_blank\"\u003eDr Gary Foley\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eAn introductory reader of republished texts by Gumbainggir activist, academic and writer Dr. Gary Foley, exploring our cultural institutions’ problematic relationship to owning how Indigenous artefacts and artworks are woven into local and global narratives; with an introductory text by Dr. Léuli Eshraghi.\u003cbr\u003e\u003cbr\u003eWritten by Gary Foley\u003cbr data-mce-fragment=\"1\"\u003eEdited by Sarah Gory\u003cbr data-mce-fragment=\"1\"\u003eDesigned by Paul Mylecharane\u003cbr data-mce-fragment=\"1\"\u003ePublished by Common Room Editions\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e—\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTitle: Goori Reader No. 1: History, Memory and the Role of Cultural Organisations in Entrenching Colonisation in Australia and Beyond\u003cbr data-mce-fragment=\"1\"\u003eAuthor: Dr Gary Foley\u003cbr data-mce-fragment=\"1\"\u003ePublisher: Common Room Editions\u003cbr data-mce-fragment=\"1\"\u003eISBN: 9780648813002\u003cbr data-mce-fragment=\"1\"\u003eFormat: Softcover, 48 pages, saddle-stitched, edition of 500\u003cbr data-mce-fragment=\"1\"\u003eDimensions: 108 x 176 mm\u003cbr data-mce-fragment=\"1\"\u003eLanguage: English\u003cbr\u003e\u003c\/p\u003e","brand":"Common Room Editions","offers":[{"title":"Default Title","offer_id":40064513999005,"sku":"SBID0189","price":11.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/8313\/4365\/products\/GRN1.png?v=1622458675"},{"product_id":"black-wattle","title":"Black Wattle","description":"\u003cp\u003e\u003cem\u003eBlack Wattle\u003c\/em\u003e is a keeping place: a collection of poetry, photography, collage and illustration developed by \u003ca href=\"https:\/\/www.instagram.com\/this_mob\"\u003ethis mob arts collective\u003c\/a\u003e over the last 12 months.\u003cbr\u003e\u003cbr\u003e“Warmth, respect, and strength thread our conversations together. We map our connections and disconnections from one another, but also from ourselves. We celebrate the things we have been able to do together and imagine the things we haven’t been able to do together.” – this mob, 2021\u003cbr\u003e\u003cbr\u003e\u003cem\u003ethis mob\u003c\/em\u003e is a blak arts collective based on Boonwurrung and Wurundjeri lands. We centre and prioritise Aboriginal and Torres Strait Islander people in the work that we do, creating spaces to come together to unite emerging blak artists.\u003cbr\u003e\u003cbr\u003eArtists and Writers: Kate ten Buuren, Moorina Bonini, Neika Lehman, and Maya Hodge\u003cbr\u003eContributor: Maddee Clark\u003cbr\u003eCreative Producer and Collaborator: Kalyani Mumtaz \u003cbr\u003eDesign and Typesetting: Tilly Glascodine\u003cbr\u003e\u003cbr\u003e—\u003cbr\u003e\u003cbr\u003eTitle: Black Wattle\u003cbr\u003eAuthors: Kate ten Buuren, Moorina Bonini, Neika Lehman, and Maya Hodge\u003cbr\u003ePublisher: IRL\u003cbr\u003eISBN-13: 9780645090925\u003cbr\u003eFormat: Softcover, 99 pages\u003cbr\u003eDimensions: 12 x 20 cm\u003cbr\u003ePublication Date: 2021\u003cbr\u003eLanguage: English\u003cbr\u003e\u003c\/p\u003e","brand":"Incendium Radical Library","offers":[{"title":"Default Title","offer_id":40064514130077,"sku":"SBID0194","price":22.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/8313\/4365\/products\/BWTM.png?v=1622450427"},{"product_id":"55-minute-speed-print","title":"55 Minute Speed Print","description":"\u003cem\u003e55 Minute Speed Print\u003c\/em\u003e is a photobook by Melbourne photographer, Jean-Paul McAllan.\u003cbr\u003e\u003cbr\u003eIn the words of the artist:\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEvery September 23rd in Japan, the sun crosses the celestial equator from the northern hemisphere into the southern hemisphere. It is one of two days a year that the lengths of day and night are exactly the same. The day is a national public holiday in Japan and is known as ‘Shubun no Hi’ (秋分の日) or in English, ‘The Autumnal Equinox’.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe changing of seasons are key points in the cycle of life in nature, and within this cycle, many ancient cultures perceive a powerful message for humanity and honor the day respectively. My personal favorite instance would be the Maya of Central America, who built dedicated monuments such as the step pyramid ‘Temple of Kukulcan’ in Chichen Itza, Mexico. Only visible during one of the two equinox days a year when the sun hits the temple at the perfect angle, a shadow that mimics the shape their feathered serpent god ‘descends’ down the sidewalls of the pyramid stone steps. It is believed that the light from the heaven came down to the earth, and the light from the serpent contributed to making the ground fertile and announcing a new life cycle.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile the autumnal equinox traditionally is a time of harvest where people celebrate all that has come to fruition in the bright light of summer, it also symbolizes the point of diminishing sunlight. A point where the days become shorter and night draws longer as the darkness of winter approach.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSimplifying it all, ‘Shubun No Hi’ on September 23rd directly marks the transition from summer to autumn. It is also the day that I was born.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI moved to Japan as a child with my family in 1990 and spent the bulk of the 90s and early 2000s growing up there (albeit with a 4-year gap in the mid ’90s living in Hong Kong). This non-native, transplant upbringing is what formed my ‘third culture’ identity and I’m certain even more people in today’s rapidly changing world identify with it as well. People always ask me what it was like to grow up in Japan and I never know how to give them an answer that gives the question justice. While it’s difficult to fully explain all sides of what it is was like for me growing up in Japan, I will say that I cherish every detail of it greatly, whether good or bad.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOne such detail is my going with my mother to the local photo lab weekly to pick up her developed rolls of 35mm film and printed photos. While the photos can simply be seen as snapshots of family and friends, to an always curious child like myself they provided hours of wonder, long past the car ride home from the photo lab. As a dedication to those moments and tribute to those memories, for this book I decided to recreate one of the paper photo albums the labs would include free with the prints that my mother would receive. That recreated photo album is what you are currently holding in your hands.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDuring September and October of 2016, I shot these photos as I left my 20s and turned 30 years old. These photos are a culmination of all the emotions that I felt that trip, equally dark and light just like the equinox. Unknown to me at the time but it was also my last time I would ever spend at a family home in Japan, as my father retired and left Tokyo shortly after. It was a strange and unexpected good bye to that era of attachment to Japan and my carefree 20s. But optimistically, and in perfect timing with the seasons changing, I know it was also a necessary transformation into the next cycle of life. Next chapter.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eJean-Paul McAllan\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e—\u003cbr\u003e\u003cbr\u003eLanguage: English\u003cbr\u003eFormat: Softcover, 54 pages, 99 images\u003cbr\u003eFull Title: ’55 Minute Speed Print’ Book\u003cbr\u003ePublication Date: 2019","brand":"Third Culture","offers":[{"title":"Default Title","offer_id":41150348656797,"sku":"","price":36.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/8313\/4365\/products\/55MSPB.png?v=1633523444"},{"product_id":"liminal-vol-2","title":"Liminal Vol. II","description":"","brand":"Liminal","offers":[{"title":"Default Title","offer_id":42093087522973,"sku":"SBID0200","price":45.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/8313\/4365\/products\/LMV2.png?v=1681274460"},{"product_id":"feast-of-reistance","title":"Feast of Resistance","description":"","brand":"Priya Pavri","offers":[{"title":"Default Title","offer_id":42364512141469,"sku":null,"price":22.0,"currency_code":"AUD","in_stock":false}]},{"product_id":"against-disappearance-essays-on-memory","title":"Against Disappearance: Essays on Memory","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn this collection of new essays from the\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eLiminal\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u0026amp; Pantera Press Nonfiction Prize longlist, First Nations writers and writers of colour bend and shift boundaries, query the past and envision new futures. They ask: How do we write or hold our former selves, our ancestries? How does where we come from connect to where we are headed? How do we tell the stories of those who have been diminished or ignored in the writing of history? How do we do justice to the lives they lived, or to the people they were?\u003cbr\u003e\u003cbr\u003eFrom the intricacies of trans becoming, to violences inflicted on stateless peoples, to complex inheritances and the intertwining of tradition, politics and place, this prescient collection challenges singular narratives about the past, offering testimony and prophecy alike.\u003cbr\u003e\u003cbr\u003eESSAYS BY André Dao, Barry Corr, Brandon K. Liew, Elizabeth Flux, Frankey Chung-Kok-Lun, grace ugamay dulawan, Hannah Wu, Hasib Hourani, Hassan Abul, Jon Tjhia, Kasumi Bocrzyk, Lucia Tường Vy Nguyễn, Lou Garcia-Dolnik, Lur Alghurabi, Mykaela Saunders, Ouyang Yu, Ruby-Rose Pivet-Marsh, Ryan Gustafsson, Suneeta Peres da Costa and Veronica Gorrie.\u003cbr\u003e\u003cbr\u003e—\u003cbr\u003e\u003cbr\u003eCOLOPHON\u003cbr\u003e\u003cbr\u003eEdited by Leah Jing McIntosh and Adolfo Aranjuez\u003cbr\u003ePublished by Pantera Press\u003cbr\u003e\u003cbr\u003eLanguage: English\u003cbr\u003eFormat: Softcover, 296 pages\u003cbr\u003eISBN-13: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e9780648987581\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Pantera Press","offers":[{"title":"Default Title","offer_id":42797307855005,"sku":"SBID0223","price":33.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/8313\/4365\/products\/ADEOM01.png?v=1661735827"},{"product_id":"anu-kumar-ghar","title":"Anu Kumar: Ghar","description":"\u003cp class=\"p1\"\u003e\u003ci\u003eGhar\u003c\/i\u003e is a photobook by Melbourne photographer, \u003ca href=\"https:\/\/www.instagram.com\/kumar_anu\/\" target=\"_blank\"\u003eAnu Kumar\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003eIdeas around place and identity have never been unequivocal for Anu Kumar. When the young Melbourne-based photographer returned to to her birthplace of Kavi Nagar, India, for the first time since childhood at age twenty-one, she felt at sea. ‘I remember a feeling of discomfort, of not knowing my place or who I was in that context,’ she says. ‘I began taking photos as an exercise in learning how to be Indian.’ \u003cbr\u003e\u003cbr\u003eThe term Ghar, meaning ‘home’ in Hindi, doubles as the title of this, her debut book, and the broader outcome of her pursuit – one that is as much a new beginning as it is a homecoming. Shooting over a period of five years on a medium format camera, Kumar’s soft gaze meanders between the rooms and courtyards of the family home in Kavi Nagar, and out onto the neighbouring streets, sketching out the symbolic and aesthetic markers of a personal and cultural heritage. Formal portraits of her grandmother, aunts and uncles, echoing the traditional family album, give way to intimate scenes of daily tasks and quiet idleness – a thorough visual record to preserve intergenerational gestures and familial rituals that may otherwise linger in the undocumented everyday.\u003cbr\u003e\u003cbr\u003eKumar’s search for familial closeness was suddenly given a new sense of universality when the COVID-19 pandemic closed Australia’s international borders for almost two years. Edited and sequenced during this period, Ghar also speaks to the enforced distance experienced by cross-cultural families, and the role of photographs as vessels for intimacy and connection. The series contemplates ‘home’ in all its multiplicities. A place, a sentiment, a responsibility; something at once inherently familiar and other times distant and incongruous.\u003cbr\u003e\u003cbr\u003e—\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCOLOPHON\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePublished by Perimeter Editions\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLanguage: English\u003cbr data-mce-fragment=\"1\"\u003eFormat: Hardcover, 136 pages\u003cbr data-mce-fragment=\"1\"\u003eDimensions: 14 x 18 cm\u003cbr data-mce-fragment=\"1\"\u003eEdition: First\u003cbr data-mce-fragment=\"1\"\u003eISBN-13: 9781922545114\u003cbr data-mce-fragment=\"1\"\u003ePublication Date: 2022\u003cbr\u003e\u003c\/p\u003e","brand":"Perimeter Editions","offers":[{"title":"Default Title","offer_id":43208008597661,"sku":"SBID0241","price":49.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/8313\/4365\/products\/GAKPE_02.png?v=1670913171"},{"product_id":"under-the-paving-stones-the-beach","title":"Under the Paving Stones, the Beach","description":"\u003cp\u003e\u003cem\u003eUnder the Paving Stones, the Beach\u003c\/em\u003e is a collection of stories from emerging writers living in Boorloo\/Perth and regional Western Australia.\u003cbr\u003e\u003cbr\u003eCurated and edited by Cher Tan, this collection uncovers what lies beneath surfaces, connecting us to deeper moments and ways of being. Touching on themes of belonging, family, culture and identity, Under the Paving Stones, the Beach expresses the here and now with clarity, insight and humour.\u003cbr\u003e\u003cbr\u003eFeaturing works by: Saadia Ahmed, Ana Brawls, Luoyang Chen, Camila Egusquiza, Raf Gonzalez, Nadia Heisler, Haweya Ismail, Tiffany Ko, Luisa Mitchell, Edie Mitsuda, Simeon Neo, Mara Papavassiliou, Shenali Perera, Vuma Phiri, Daley Rangi, Baran Rostamian, Taonga Sendama and SoulReserve.\u003cbr\u003e\u003cbr\u003e—\u003c\/p\u003e\n\u003cp\u003eCOLOPHON\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eEdited by Cher Tan\u003cbr data-mce-fragment=\"1\"\u003eDesigned by Dennis Grauel\u003cbr data-mce-fragment=\"1\"\u003ePublished by Centre for Stories\u003cbr\u003e\u003cbr\u003eLanguage: English (with some Maori, Cantonese, Somali)\u003cbr\u003eFormat: Softcover\u003cbr\u003eDimensions: B-Format Paperback (129 × 198 mm)\u003cbr\u003eEdition: First\u003cbr\u003eISBN-13: 9780648673835\u003cbr\u003ePublication Date: November 2022\u003c\/p\u003e","brand":"Centre for Stories","offers":[{"title":"Default Title","offer_id":43454695800989,"sku":"SBID0264","price":18.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/8313\/4365\/products\/UTPSTB.png?v=1678861242"},{"product_id":"jaime-powell-eyesore","title":"Jaime Powell: Eyesore","description":"\u003cp\u003e\u003cem\u003eEyesore\u003c\/em\u003e is an artist book by visual artist, \u003ca href=\"http:\/\/www.jaimepowell.com.au\/\" target=\"_blank\"\u003eJaime Powell\u003c\/a\u003e.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAmidst the lockdowns of 2020, the city of Hyderabad, India cracked down on advertising hoardings. The rules and regulations were tightened so much, it effectively banned that feature of many an Indian skyline. \u003cem\u003eEyesore\u003c\/em\u003e is a moment in this changing identity documented in words, mark-making and photographs. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBy way of photographic documentation, \u003cem\u003eEyesore\u003c\/em\u003e indexes some of the naked steel scaffolds still left standing three years on from the initial Government Order.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDrawings of Hyderabad Old city are an iteration of an 18th-century map (title and maker unknown) found at Idarah-i-Adabiyat-i Urdu, Hyderabad, India. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e—\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCOLOPHON\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWords, illustration and photography by Jaime Emily Powell\u003cbr data-mce-fragment=\"1\"\u003eCover artwork adapted from lithographs by Jaime Emily Powell\u003cbr data-mce-fragment=\"1\"\u003eBook design and typesetting by Scott Heinrich\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLanguage: English\u003cbr data-mce-fragment=\"1\"\u003eFormat: Softcover, Risograph ‘Outer Book’ (6 pages), Digital ‘Inner Book’ (14 pages)\u003cbr data-mce-fragment=\"1\"\u003eDimensions: 140 x 280 x 4 mm\u003cbr data-mce-fragment=\"1\"\u003eEdition: First\u003cbr data-mce-fragment=\"1\"\u003ePublication Date: May 2023\u003c\/p\u003e","brand":"Jaime Powell","offers":[{"title":"Default Title","offer_id":43695047147677,"sku":null,"price":40.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/8313\/4365\/files\/EJP.png?v=1691557828"},{"product_id":"native-title-is-not-land-rights","title":"Native Title is Not Land Rights!","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eNative Title is Not Land Rights!\u003c\/em\u003e is a collection of essays written by Tony Birch, Jacqui Katona and Gary Foley.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe first in a co-published series with Melbourne School for Discontent, the three longform essays in this book examine various under-known histories of so-called Australia from Aboriginal perspectives, drawing from colonial archives, extensive study and lived experience to examine the ongoing legacy of colonial policy and legislation, from the early 1800s through to Native Title and into the twenty-first century.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e— \u003cbr\u003e\u003cbr\u003eCOLOPHON\u003cbr\u003e\u003cbr\u003ePublished by \u003cmeta charset=\"utf-8\"\u003eCommon Room\u003cbr\u003eDesigned by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePaul Mylecharane\u003c\/span\u003e\u003cbr\u003e136 pages, 10.8 x 17.6cm, paperback\u003c\/p\u003e","brand":"Common Room Editions","offers":[{"title":"Default Title","offer_id":43855037137053,"sku":null,"price":25.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/8313\/4365\/files\/NTINLR.png?v=1691561077"},{"product_id":"indigenous-aesthetics-and-knowledges-for-great-ocean-renaissances","title":"Indigenous Aesthetics and Knowledges for Great Ocean Renaissances","description":"\u003cp\u003e\u003cem\u003eIndigenous Aesthetics and Knowledges for Great Ocean Renaissances\u003c\/em\u003e is a collection of essays written by artist and curator, Léuli Eshrāghi.\u003c\/p\u003e\n\u003cp\u003eThe essays in this reader chart archipelagos of related beings and stories places: ceremonial-political structures, display territories, languages, materials and experiences of sensuality that constitute international Indigenous art and thought today. 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Eschewing the definitive and conclusive, the essays, artworks and broad-ranging discussions that populate this book are points of embarkation. \u003cbr\u003e\u003cbr\u003eThe notion of ‘rebordering’, in this sense, is inherently generative and postnational in its bearings. While only scratching the surface of the Asia-Pacific’s activity,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eRebordering the Archipelago\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ereflects the diversity of practices and voices that resonate throughout the region. Refusing to conform to the Western academic paradigm and its flat global world of knowledge, this is a book that foregrounds both intergenerational knowledges from the past and new modes of listening, reading, sharing and resistance.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eEdited by Danny Butt and Kurniawan Adi Saputro. Designed by Beaziyt Worcou.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCoVA × Perimeter is a collaborative publishing program initiated by the Centre of Visual Art (2018–2023) at the University of Melbourne and independent publishing house Perimeter Editions. Foregrounding experimental and otherwise innovative discursive outputs from three key streams of enquiry –\u003cspan\u003e \u003c\/span\u003e\u003ci\u003ePostnational Art Histories\u003c\/i\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eFeminism and Intersectionality\u003c\/i\u003e, and\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eArt + Science\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– the program spans research-in-progress, academic dialogues, artist responses, and essays, working to reframe scholarly research via a multiplicity of new perspectives and lenses. The\u003cspan\u003e \u003c\/span\u003e\u003ci\u003ePostnational Art Histories\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eseries seeks out transnational and lateral contacts and resonances between artists across borders, examining the intersections between Indigenous, migrant, diasporic, postcolonial, global, and transcultural studies that reflect the contours of the emerging post-Western world. This volume features a Bahasa Indonesia translation.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWith contributions by: Raqs Media Collective, Moonis Ahmad, Léuli Eshrāghi, Victoria Hunt, Natalie King, Yuki Kihara, Helly Minarti, Tamarra,Yedija Awom, Ginoe and Mark Teh.\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePublished by: Perimeter Editions x CoVA at the University of Melbourne\u003c\/span\u003e\u003cbr\u003eFormat: 208 pages, 19.5 x 12.5 cm, cold glue bind, softcover\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Perimeter Editions","offers":[{"title":"Default Title","offer_id":46995845677213,"sku":null,"price":39.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/8313\/4365\/files\/RTA_Covers_0000_IMG_7327.jpg?v=1763339264"},{"product_id":"black-thoughts-matter","title":"Black Thoughts Matter","description":"\u003cp\u003eProviding critical context to some of the groundbreaking essays published across a range of digital platforms, \u003ci\u003eBlack thoughts matter\u003c\/i\u003e honours the Black thinkers that have shaped Chelsea Watego’s intellectual and political formation to date. 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