{"title":"Nongkrong Festival 2026","description":"","products":[{"product_id":"afterwork-readings","title":"Afterwork Readings","description":"\u003cp\u003e\u003cem\u003eAfterwork Readings\u003c\/em\u003e is an anthology of migrant and domestic worker literature, edited by Para Site (Hong Kong) and KUNCI Cultural Studies Centre (Indonesia).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis volume is about and by migrant workers contains short stories, poems, and excerpts from novels and plays, written by classical literary figures of the region, established con- temporary authors, as well as domestic workers themselves. We hope Afterwork Readings will help the encounter and exchange through literature between the different migrant worker communities and Hong Kong society at large. It also aims to bring together a relevant selection of texts on this important issue written in our region over the past century, as well as to promote the work of the most promising writers from the domestic worker community.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe idea for Afterwork Readings grew from discussions started during KUNCI’s participation in Para Site’s International Art Residency in January 2015, and the subsequent collaborative project A Room of Their Own. As part of this project, the Afterwork Reading Club\/Klub Baca Selepas Kerja was devised as a reading group of six sessions that ran through August and September of the same year, and included a group made up of members of the Indonesian migrant domestic worker community. At the end of the planned six sessions, a suitcase of books was donated to the community with a commitment from Para Site to continue supporting the rental of space necessary for the mobile library. Afterwork Readings is also seen as a support for continuing reading groups that would include different migrant and domestic worker groups, irrespective of their native or main language. Translated from four different languages (Chinese, English, Indonesian, and Tagalog) into the first three, the book hopes to create a shared cultural space between the often insular groups of Filipino and Indonesian migrant domestic workers or the more isolated groups of other migrant workers.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e—\u003cbr\u003e\u003cbr\u003eCOLOPHON\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEdited by Para Site and KUNCI Cultural Studies Center\u003cbr data-mce-fragment=\"1\"\u003eDesigned by Maxim Spivakov\u003cbr data-mce-fragment=\"1\"\u003ePublished by Para Site and KUNCI Cultural Studies Center\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLanguage: Multilingual (English, Bahasa, Chinese)\u003cbr data-mce-fragment=\"1\"\u003eFormat: Hardcover, 576 pages\u003cbr data-mce-fragment=\"1\"\u003eEdition: First\u003cbr data-mce-fragment=\"1\"\u003eISBN-13: 9789881987501\u003cbr data-mce-fragment=\"1\"\u003eFull Title: Afterwork Readings \/ Babasahin Matapos ang Trabaho \/ Bacaan Selepas Kerja \/ 工餘\u003cbr data-mce-fragment=\"1\"\u003ePublication Date: 2016\u003cbr\u003e\u003c\/p\u003e","brand":"Para Site","offers":[{"title":"Default Title","offer_id":39470024196253,"sku":"SBID0039","price":48.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/8313\/4365\/products\/AR_alt.png?v=1681292230"},{"product_id":"towards-new-landscapes","title":"Towards New Landscapes","description":"\u003cp\u003e\u003cem\u003eTowards New Landscapes\u003c\/em\u003e is a photobook by Indonesian photographer, Kurniadi Widodo.  \u003cbr\u003e\u003cbr\u003eA contemporary photobook presented as a set of postcards, Kurniadi Widodo explores the Indonesian tourism phenomenon in recent years and the many issues it touches. From the development of a sustainable economy, land use and its surrounding policies, to the public desire to construct and perceive a sense of identity by visiting tourism hotspots. \u003cbr\u003e\u003cbr\u003eDue to the changing digital landscape, today these destinations can be fabricated, modified, or even replicated within a matter of days. By definition, tourism hotspots can be any location that attracts and encourages people to capture photos, most commonly destined for their social media feeds. \u003cbr\u003e\u003cbr\u003eFormat: 20 prints, 17 x 14 cm, box with ribbon \u003cbr\u003ePublisher: Jordan, jordan Éditions (Indonesia) \u003cbr\u003eLanguage: English \u003cbr\u003eISBN: 9781735452142\u003c\/p\u003e","brand":"Jordan, jordan Édition","offers":[{"title":"Default Title","offer_id":43621631361181,"sku":"SBID0291","price":44.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/8313\/4365\/files\/TNL_JJE_alt.png?v=1691468859"},{"product_id":"leyla-stevens-dua-dunia","title":"Leyla Stevens: Dua Dunia","description":"\u003cem\u003eDua Dunia\u003c\/em\u003e is an exhibition catalogue featuring Australian-Balinese artist, \u003cbr data-mce-fragment=\"1\"\u003eLeyla Stevens.\u003cbr\u003e\u003cbr\u003eExhibition and catalogue alike, Dua Dunia examines the enfolding of multiple concurrent histories amidst many landscapes. Taking as a particular focus the anti-communist violence of 1965-66, \u003cem\u003eDua Dunia\u003c\/em\u003e considers its traumatic legacies, and the manner in which time and space has grown outwards from these events; mirroring, yet obscured by, the rapid urban development that has taken place across these sites.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn reconnecting the realm of human trauma with the natural world – as the banyan tree and the missing dead hold each other in dynamic tension – this publication gently mirrors and extends Stevens' mode of inquiry as it attempts to navigate historical memory through a spectral cartography, continuing the necessary labour of re-framing Bali’s various landscapes as live, living and lived records of conflict, reconciliation, and resistance.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMixing biography and criticism with fiction and historiography, Dua Dunia brings together texts by Rachel Ciesla, Dr Vannessa Hearman, Nur Shkembi, Stevens, Jaxon Waterhouse, and Bianca Winataputri with visual material by Stevens to form a catalogue, a tale, a gathering of the many trajectories that hold our everyday life in place.\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003eTexts: Rachel Ciesla, Dr Vannessa Hearman, Nur Shkembi, Leyla Stevens, Jaxon Waterhouse and Bianca Winataputri\u003cbr data-mce-fragment=\"1\"\u003eEditors: Rachel Ciesla and Jaxon Waterhouse\u003cbr data-mce-fragment=\"1\"\u003eDesign: Jack Pam\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eEdition of 70\u003cbr data-mce-fragment=\"1\"\u003e64 pages\u003cbr data-mce-fragment=\"1\"\u003e29.7 x 21 cm\u003cbr data-mce-fragment=\"1\"\u003eISBN 978-0-6487040-3-4\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e","brand":"Heart of Hearts","offers":[{"title":"Default Title","offer_id":43695046885533,"sku":null,"price":12.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/8313\/4365\/files\/DDDW.png?v=1691559339"},{"product_id":"debris-magazine-issue-3","title":"Debris Magazine: Issue 3","description":"\u003cp\u003e\u003cem\u003eDebris Magazine\u003c\/em\u003e is a literary magazine and publishing platform based in Melbourne.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003eTitled 'The Urge to Know', the third issue of \u003cem\u003eDebris Magazine\u003c\/em\u003e is edited by Cher Tan and Jon Tjhia.\u003cbr\u003e\u003cbr\u003e—\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEditor's Note:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs a child encounters their own sentience, a fountain erupts.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWe begin to find ourselves with an appetite for knowledge, which propels us into the world and whatever sense is to be made of it. As this grows with and through the body-a way to touch, grasp, beyond the range of our own senses-this proclivity gradually gains a (more) conscious quality. Later still, and inevitably, a barrier emerges, and we become self-regulating, tempering the urge in order to prioritise other needs and yearnings. The compulsion towards knowledge, then, manifests and recedes over time, in public and in private, assuming the form of invitation, attachment, affliction.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis propensity is also infectious: our friendship began with the urge to know. The edifying yet accursed urge to know about others, about ourselves, about the world around us. As one of us declared, \"the urge to know is adjacent to the urge to witness!\"Just a couple of know-nothing wanna-know-it-all wannabes;' the other agreed. It materialised into an inside joke. As Etel Adnan once wrote, \"... knowing is an extraordinarily strong bond. It establishes a kind of magnetic field between beings or even things, and intensifies and illuminates everything.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eYet, jokes aside, knowledge is social in more than one sense. As new forms of organising and sharing information emerge, our relationship with knowing has undergone astonishingly quick change. Today, entangled with search engines and social media, our ability to reveal and perceive information with varying degrees of directness intersects with a certain ease. We can present, consume and re-present what we come to know-subjectivity and self-delusion notwithstanding. When we come to know more and more and more, how does the urge to know bind us to the world? How is the flavour of that knowledge dictated by the third parties that act as its mediators?\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis impulse towards knowledge bleeds across lines of consent and legality to encompass misinformation and conspiracy theories, data breaches, bureaucratic obfuscations, the privatisation of knowledge work, and the many kinds of surveillance that people are subject to-be it from employers, peers, landlords, corporations and\/or governments. It waters the will to power. But it's also deeply enmeshed with scripturience and the drive towards art-making; not only to know but to process and unpack, to know that we don't know, to know others through the limits of self-knowledge. There will always be aspects of existence that are unknown and unknowable, that cannot be adequately expressed or inscribed, or which do not make sense at all. Even if information continues to be laundered freely through open-source encyclopaedias, comment sections and whistle-blowers alike, we will never see the \"full picture\"-simply because there is none. You cannot arrest knowledge. Perhaps this is what draws us to the urge. We cannot know, and yet we must.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhen Julia and Elena asked us to be guest editors for this magazine, we leapt at the opportunity. Finally! To be able to put this provocation in front of others, to pass them the itch and see how they would scratch it. How would they interpret it, and what had they considered that we had not? We needed to know. The responses we received were joyous, absurd, introspective and surprising. Ultimately, we landed on 16 interpretations that resist foreclosure and welcome possibility-maxing the fountain's faucet, so to speak. And now we are extending the urge to you. (...)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eContributors:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJamie Marina Lau, Nayuka Gorrie, Jumaana Abdu, Justin Clemens, Martyn Reyes, Xen Nhà, Alison Whittaker, Cherine Fahd, Madison Pawle, Em Meller, Lucy Van, Snack Syndicate, Scott Limbrick, Zhi Cham, Samantha Floreani, Kat Gledhill-Tucker, Darcy Hytt.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e—\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCOLOPHON\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEdited by Cher Tan and Jon Tjhia\u003cbr data-mce-fragment=\"1\"\u003eDesigned by Zenobia Ahmed\u003cbr data-mce-fragment=\"1\"\u003ePublished by Debris Magazine\u003c\/p\u003e","brand":"Debris Magazine","offers":[{"title":"Default Title","offer_id":44222799544477,"sku":null,"price":30.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/8313\/4365\/files\/DM_TUTK.png?v=1701838885"},{"product_id":"coastalvision","title":"Coastalvision: Heavily-Saturated Tropicália","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eCoastalvision: Heavily-Saturated Tropicália\u003c\/em\u003e is a monograph featuring Indonesian visual artist, Ardneks (Kendra Ahimsa).\u003cbr\u003e\u003cbr\u003eArdneks’ unique illustration style has attracted the attention of internationally acclaimed music festivals and electronic artists, including Toro y Moi, Japanese Breakfast, Khruang Bin and Lollapalooza; 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In a way, this second issue is a continuation of where the first left off, while also being a contrast of sorts. \u003c\/p\u003e\n\u003cp\u003eReyza Ramadhan and Faza Chu’s respective explorations into alternative carbohydrate sources and Sudanese cuisine, for instance, both return in second parts. 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